The universal machine

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Uiterlijk 28 januari in huis

In the concluding volume to his landmark trilogy consent not to be a single being Fred Moten uses the work of Emmanuel Levinas, Hannah Arendt, and Franz Fanon to explore the relationship between blackness and phenomenology, theorizing blackness as a way of being in the world that evades regulation.



"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In The Universal Machine—the concluding volume to his landmark trilogy consent not to be a single being—Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon, in which he explores questions of freedom, capture, and selfhood. In trademark style, Moten considers these thinkers alongside artists and musicians such as William Kentridge and Curtis Mayfield while interrogating the relation between blackness and phenomenology. Whether using Levinas's idea of escape in unintended ways, examining Arendt's antiblackness through Mayfield's virtuosic falsetto and Anthony Braxton's musical language, or showing how Fanon's form of phenomenology enables black social life, Moten formulates blackness as a way of being in the world that evades regulation. Throughout The Universal Machine—and the trilogy as a whole—Moten's theorizations of blackness will have a lasting and profound impact.

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In black and blur the first volume in his consent not to be a single being trilogy fred moten engages in a capacious consideration of the place and force of blackness in african diaspora arts politics and life exploring a wide range of thinkers musicians and artists taken as a trilogy co 3 weken .. MEER INFO

Undercommons

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Literary nonfiction african american studies politics philosophy critical theory introduction by jack halberstam in this series of essays fred moten and stefano harney draw on the theory and practice of the black radical tradition as it supports inspires and extends contemporary social and Voor 23:59 uur besteld, morgen in huis .. MEER INFO

Taal: en

Bindwijze: Paperback

Oorspronkelijke releasedatum: 06 augustus 2018

Aantal pagina's: 312

Illustraties: Nee

Hoofdauteur: Fred Moten

Hoofduitgeverij: Duke University Press

Extra groot lettertype: Nee

Product breedte: 152 mm

Product lengte: 229 mm

Studieboek: Ja

Verpakking breedte: 154 mm

Verpakking hoogte: 22 mm

Verpakking lengte: 226 mm

Verpakkingsgewicht: 637 g

EAN: 9780822370550

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