Dada s boys masculinity after duchamp

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Contributes to the discussion about 'a crisis in masculinity', addressing the homosocial structures in Dada and Surrealist art and their relevance to the artistic and theoretical debate. This book deals with specific moments in the careers of Duchamp and some of his associates and discusses the reception of Duchamp's ideas in the post-war period.

In this provocative and stimulating book, David Hopkins addresses the homosocial structures in Dada and Surrealist art with an eye to their relevance to current artistic and theoretical debate. Bestriding the book is the pivotal figure of the artist Marcel Duchamp, who was at the center of various groups of artistic and literary figures—predominantly male—in Europe and America. And at the heart of the investigation are Duchamp’s relationships with these men, the various interactions of those within the groups, and the impact of this type of male camaraderie on the artworks they produced.

Hopkins looks at specific moments in the careers of Duchamp and some of his associates—Francis Picabia, Man Ray, Max Ernst and André Breton—and discusses in detail the reception of Duchamp’s ideas in the post-war period. He goes on to trace the influence of the homosocial nature of Surrealism and Dada on the art world from the 1950s to the work of contemporary male and female artists.

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Taal: en

Bindwijze: Hardcover

Oorspronkelijke releasedatum: 22 maart 2008

Aantal pagina's: 256

Illustraties: Zowel zwart-wit als kleur

Hoofdauteur: David Hopkins

Hoofduitgeverij: Yale University Press

Extra groot lettertype: Nee

Product breedte: 203 mm

Product hoogte: 22 mm

Product lengte: 264 mm

Studieboek: Nee

Verpakking breedte: 203 mm

Verpakking hoogte: 22 mm

Verpakking lengte: 264 mm

Verpakkingsgewicht: 1152 g

EAN: 9780300108958

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