Film theory criticism

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Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers in film theory-including Rudolf Arnheim, Siegfried Kracauer, and Andre Bazin-and cutting-edge essays by such contemporary scholars as David Bordwell, Tania Modleski, Thomas Schatz, and Richard Dyer, the book examines both historical and theoretical viewpoints on the subject. Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race. Reorganized into eight sections-each comprising the major fields of critical controversy and analysis-this new edition features reformulated introductions and biographical headnotes that contextualize the readings, making the text more accessible than ever to students, film enthusiasts, and general readers alike. The seventh edition also integrates exciting new material on feminist theory, queer cinema, and global cinema, as well as a new section, Digitization and Globalization, which engages important recent developments in technology and world cinema. A wide-ranging critical and historical survey, Film Theory and Criticism remains the leading text for undergraduate courses in film theory. It is also ideal for graduate courses in film theory and criticism. ABOUT THE EDITORS Leo Braudy is University Professor and Bing Professor of English at the University of Southern California. Among other books, he is author of Native Informant: Essays on Film, Fiction, and Popular Culture (OUP, 1991), The Frenzy of Renown: Fame and Its History (OUP, 1986), and most recently, From Chivalry to Terrorism: War and the Changing Nature of Masculinity (2003). Marshall Cohen is University Professor Emeritus and Dean Emeritus of the College of Letters, Arts, and Sciences at the University of Southern California. He is coeditor, with Roger Copeland, of What Is Dance? Readings in Theory and Criticism (OUP, 1983) and founding editor of Philosophy and Public Affairs.

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Film Theory and Criticism

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since publication of the first edition in 1974 leo braudy and marshall cohen s film theory and criticism has been the most widely used and cited anthology of critical writings about film now in its eighth edition this landmark text continues to offer outstanding coverage of more than a century Uiterlijk 16 mei in huis .. MEER INFO

Final Cut: Art Money & EGO In The Making

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Heaven s gate is probably the most discussed least seen film in modern movie history its notoriety is so great that its title has become a generic term for disaster for ego run rampant for epic mismanagement for wanton extravagance it was also the film that brought down one of hollywood s maj Uiterlijk 15 mei in huis .. MEER INFO

The American Cinema

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the auteur theory of which film criticandrew sarris was the leading american proponent holds that artistry in cinema can be largely attributed to film directors who while often working against the Verwacht over 4 weken .. MEER INFO

Taal: en

Uitvoering: Paperback

Oorspronkelijke releasedatum: 04 juni 2009

Aantal pagina's: 912

Illustraties: Nee

Hoofdauteur: Braudy

Tweede Auteur: Leo Braudy

Co Auteur: Marshall Cohen

Hoofdredacteur: Leo Braudy

Tweede Redacteur: Marshall Cohen

Hoofduitgeverij: Oxford University Press

Editie: 7th Revised edition

Extra groot lettertype: Nee

Product breedte: 152 mm

Product hoogte: 44 mm

Product lengte: 235 mm

Studieboek: Nee

Verpakking breedte: 157 mm

Verpakking hoogte: 234 mm

Verpakking lengte: 62 mm

Verpakkingsgewicht: 1296 g

EAN: 9780195365627

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